Listen to this episode on Apple Podcasts or Spotify.
For over 40 years, William Wyler was one of Hollywood’s most dependable classicists, culminating in 1968 with the ultimate New Hollywood-era throwback to Old Hollywood, Funny Girl. Then, for his final film in 1970, Wyler uncharacteristically directed a searing indictment of contemporary race relations, called The Liberation of LB Jones.
SHOW NOTES:
Sources:
William Wyler: Interviews edited by Gabriel Miller
The American Cinema by Andrew Sarris
Bette: The Life of Bette Davis by Charles Higham
William Wyler: The Life and Films of Hollywood’s Most Celebrated Director by Gabriel Miller
Cahiers du Cinéma: The 1950s: Neo-Realism, Hollywood, New Wave edited by Jim Hillier
A Talent for Trouble: The Life of Hollywood’s Most Acclaimed Director, William Wyler by Jan Herman
Bette Davis Black and White by Julia A. Stern
“A Tribute to Manny Farber’s ‘Termite Art,’” Jonathan Griffin, Frieze, January 31, 2019
Please note: as an Amazon Associate, Karina earns from qualifying purchases. #ad
Music:
The music used in this episode, with the exception of the intro, was sourced from royalty-free music libraries and licensed music collections. The intro includes a clip from the film Casablanca.
Excerpts from the following songs were used throughout the episode:
Levanger - Lillehammer
Piano Spa - Musique Libre de Droit Club
Vernouillet - The Sweet Hots
Trois Gnossiennes 3 - The Nocturne
True Blue Sky - Bitters
After Work (Piano Elevator Music) - Musique Libre de Droit Club
Lick Stick - Nursery
Li Fonte - Architect
Junca - Orange Cat
Laser Focus - TinyTiny Trio
Maisie Dreamer - Nursery
Trailrunner - Zander
Asian Relax (New Age) - Musique Libre de Droit Club
Thumbscrew - Sketchbook
Trenton Channel - Reflections
This episode was written, narrated, edited and produced by Karina Longworth.
Our editor this season is Evan Viola.
Research, production, and social media assistant: Brendan Whalen.
Logo design: Teddy Blanks.